The reason I want Word to die is that until it does, it is unavoidable. I do not write novels using Microsoft Word. I use a variety of other tools, from Scrivener (a program designed for managing the structure and editing of large compound documents, which works in a manner analogous to a programmer’s integrated development environment if Word were a basic text editor) to classic text editors such as Vim. But somehow, the major publishers have been browbeaten into believing that Word is the sine qua non of document production systems. They have warped and corrupted their production workflow into using Microsoft Word .doc[x] files as their raw substrate, even though this is a file format ill-suited for editorial or typesetting chores. And they expect me to integrate myself into a Word-centric workflow, even though it’s an inappropriate, damaging, and laborious tool for the job. It is, quite simply, unavoidable. And worse, by its very prominence, we become blind to the possibility that our tools for document creation could be improved. It has held us back for nearly 25 years already; I hope we will find something better to take its place soon.
In every book that I work on, the worst moment of the entire endeavor occurs when I have to convert my plain-text draft into Word format for my editors. I don’t have to open Word to do that, thanks to pandoc, whose use I explain here; but I know then that I have only a short time before they send me back an edited text which I will have to open in Word. And from that point on there can be no joy in the labor, only misery. Microsoft Word is not just a terrible program. It is a terrible, horrible, no good, very bad program. It is the program than which no worse can be conceived. We hates it, preciousss. We hates it.